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Fulfilling needs

(limited Time Offer) woodcut Print, just 1 pis available.

₹214563.00₹197398.00

This painting, titled “Fulfilling Needs”, is an evocative exploration of primal desire, fertility, and collective yearning, told through the sensual language of nature. Rendered in rich tones of molten orange, deep crimson, and shadowy black, the artwork presents a surreal landscape where blooming forms rise and open like bodies aching to receive  and be received.

At the heart of the composition, a singular flower  pale, radiant, and undeniably erotic — hovers above a congregation of darker, grounded floral forms. The central bloom exudes an unmistakable aura of dominance and release, its petals stretched wide as a stream of fluid red energy cascades downward, dripping like nectar or blood, connecting it to the forms below. There is a bodily rhythm in this act  the flower becomes a metaphor for orgasm, for the outpouring of need and the ecstatic giving of self.

Below, the earth-bound forms  resembling sea anemones, or perhaps dilated eyes — open in unison, faces turned upward in silent longing. They pulse with an almost human vulnerability, as if they are mouths, wombs, or hearts, waiting for the life-force to descend into them. The texture and arrangement of these dark forms suggest community, ritual, and desire shared  a collective yearning to be filled, touched, nourished.

The contrast between the solitary glowing flower and the multitude beneath introduces a layered narrative: the giver and the receivers, the one and the many, the climax and the craving. This interplay evokes not just physical intercourse but emotional surrender, the sacred need for connection and recognition. The fluid lines stretching across the canvas like threads of heat or waves of longing amplify the sense of movement, of energy being exchanged between two planes of being the elevated and the rooted, the spiritual and the sensual.

Erotically, the painting speaks of fulfillment not as conquest, but as communion the union of bodies, souls, and hungers. The act is mutual, transcendent. The giving is not transactional, but transformative. The central bloom does not dominate with violence, but with generosity. The lower forms do not submit out of weakness, but from the beauty of their vulnerability a deep, wordless trust in the act of being touched.

Emotionally, “Fulfilling Needs” is about the ache of longing and the grace of response. It is about being seen, being chosen, being nourished —sacred exchange of giving and receiving, we find our most profound truths.

This painting, titled “Fulfilling Needs”, is an evocative exploration of primal desire, fertility, and collective yearning, told through the sensual language of nature. Rendered in rich tones of molten orange, deep crimson, and shadowy black, the artwork presents a surreal landscape where blooming forms rise and open like bodies aching to receive — and be received.

At the heart of the composition, a singular flower — pale, radiant, and undeniably erotic — hovers above a congregation of darker, grounded floral forms. The central bloom exudes an unmistakable aura of dominance and release, its petals stretched wide as a stream of fluid red energy cascades downward, dripping like nectar or blood, connecting it to the forms below. There is a bodily rhythm in this act — the flower becomes a metaphor for orgasm, for the outpouring of need and the ecstatic giving of self.

Below, the earth-bound forms — resembling sea anemones, or perhaps dilated eyes — open in unison, faces turned upward in silent longing. They pulse with an almost human vulnerability, as if they are mouths, wombs, or hearts, waiting for the life-force to descend into them. The texture and arrangement of these dark forms suggest community, ritual, and desire shared — a collective yearning to be filled, touched, nourished.

The contrast between the solitary glowing flower and the multitude beneath introduces a layered narrative: the giver and the receivers, the one and the many, the climax and the craving. This interplay evokes not just physical intercourse but emotional surrender, the sacred need for connection and recognition. The fluid lines stretching across the canvas like threads of heat or waves of longing amplify the sense of movement, of energy being exchanged between two planes of being — the elevated and the rooted, the spiritual and the sensual.

Erotically, the painting speaks of fulfillment not as conquest, but as communion — the union of bodies, souls, and hungers. The act is mutual, transcendent. The giving is not transactional, but transformative. The central bloom does not dominate with violence, but with generosity. The lower forms do not submit out of weakness, but from the beauty of their vulnerability — a deep, wordless trust in the act of being touched.

Emotionally, “Fulfilling Needs” is about the ache of longing and the grace of response. It is about being seen, being chosen, being nourished — not in isolation, but as part of a collective human experience. It reminds us that our needs are not shameful; they are sacred. And in that sacred exchange of giving and receiving, we find our most profound truths.